Camino tickets BOOKED!!!!!!

There is nothing quite like receiving that email confirming your flight is booked. In this case, the series of emails (Calgary to Paris via Montreal, Paris to Madrid and then various bits and pieces of the return trip plus information about trains within Spain) have triggered a crazy mix of wild excitement and sheer terror.

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Yep – making the final commitment to a big trip is both exhilarating and somewhat unnerving.  Photo by Ian Simmonds on Unsplash

Of course, I’m thrilled that this trip is coming together. Dani (30), Dad (beyond 80) and I (mid-50s) are collaborating on a pretty cool, intergenerational, multidisciplinary project. Spending time on the Camino de Santiago is amazing enough, but along the way, we will also be creating art – visual art (Dad) and writing (Dani, me), and photography (all of us). I’ll also be documenting our journey with video.

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Here’s an oil painting Dad did after his trip to Venice in 2015. I’m so excited to see what will come of our journey to Spain…

Where’s the sheer terror part of all this? Well, we are collaborating on two major projects. The first (not such a big surprise) is a book that will include artwork, photos, and writing (obviously). Then, there’s an exhibition featuring the artwork which will be mounted in conjunction with a series of talks by some combination of the three of us (depending on location and availability). No longer is this simply a stroll in Spain – now we are facing the pressure of making sure we create work that reflects what is turning out to be a rather more nuanced journey than any of us had first imagined. We’ve had conversations about the nature of art and living the creative life, spirituality for skeptics, mortality, and the relationship of people to the environment as discovered through the simple (ancient) act of walking. We’ve also swapped notes on sleeping bag liners, footwear, phone chargers, and wi-fi access. We all love Europe and history and art, so we are also just plain excited about being in a super cool place with other people who are also stoked about being part of a pilgrimage that’s been going on for hundreds and hundreds of years.

 

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What is it about old stuff in Europe that makes it so compelling? I snapped this photo on a tiny group tour of the Tour Saint Jacques in Paris earlier this year. Standing up there in the ancient bell tower desperately trying to follow the guide’s all-in-French commentary, I realized just how little I knew about the Camino, this history of the church, and the nature of pilgrimage. Confession time: before we began to think about going, I hadn’t realized that Saint Jacques in France is the same guy as Saint James in English and Saint Iago in Spanish. For pilgrims starting out in Paris, the Tour St. Jacques was likely a stop on the road to Spain.

 

For me, this is also a return to my writing roots – I started out writing newspaper and magazine articles, my favourites of which were inspired by personal experience. That said, for the last couple of decades most of my work has been for children and teenagers so, in some ways, this is my first book (a very, very strange position to be in). Anyone who has set out to write a first book knows just how stressful that can be… Ok, to be honest, every time I set out to write any book it’s stressful. But that’s the subject of another post so I won’t go there again.

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Photo by Andrew Neel on Unsplash

When do we leave? At the end of September (that’s next month!!!! Eeeeek!). The three of us are meeting up in Madrid, which is really where the journey will begin. We’ll be documenting the journey in various places – we all have Instagram accounts (@writergrrrl @from yyj_travel @colinwilliams5615) and blogs (this one plus darkcreekfarm.com/blog for me) as well as my Patreon account (if you become a supporter over there you’ll get access to some bonus material not published anywhere else). I’m also planning to do more over on medium.com – I like their Stories platform as a way to tell a long, linear tale using lots of images. So, sign-up, follow along and stay tuned – this is going to be a fun ride!

Signed copy of Deadpoint (Orca Sports)

I have a limited number of copies of my novel for teens about climbing on hand. Part of the Orca Sports series, the novel sets three kids against a mountain. Price includes shipping within North America and will be signed. Shoot me an email (or leave a comment) and I can personalize a copy for you. Perfect for the adventure-loving teen in your life! ** Please note that once we are on the trail, this offer will disappear because I will be in Spain!!! Yippee!! (for me, that is... not for you if you are hoping to snag a copy before I go).

$13.00

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Dad Draws a Tree

For as long as I can remember, I have loved to watch my father draw. It has always seemed to be somewhat miraculous the way images somehow seep out of the tip of his pencil (or flow from the brushes) and onto the page (or canvas). Because Dad will be recording his impressions of the Camino trip visually, we have been talking a lot recently about the artistic process and how he will capture his experience of the trip through his art.

We’ve decided to make a series of videos about Dad and his work – where he gets his ideas, how he ‘trains’ for a new project (more about that in a future post), and then how he gets what’s in his head onto the page. This first, short video (about two minutes long) shows him drawing a tree. Simple. But we wanted to set up the camera and do a test before we launch into anything more complicated. I have watched it several times now and still find it just as fascinating to see a tree appear from nothing as I did when I watched, captivated as he drew or painted something marvelous when I was a little girl.

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What’s That I See?

Could this be one of Dad's paintings?
Could this be one of Dad’s paintings?

One of the new projects I’m working on is a collaboration with Sylvia Olsen and Jean Jordan. We are researching and writing a biography for children about Elizabeth May, Canada’s first Green Party MP in Ottawa. Elizabeth has a long history of activism and we’ve been reading and discussing which pieces of her story make sense to include in a book for children. As part of that research, I have been re-reading her book Who We Are: Reflections on My Life and Canada. In the section in the middle with photos I came across this one that shows Elizabeth along with a number of others in Speaker’s Chambers in the House of Commons in Ottawa. The photo was taken in 1987 and it’s quite conceivable (there were a number of collectors back east who bought his work, including various on Parliament Hill) that the painting in the background is one of Dad’s. It sure looks like one of his, but the place where he would have signed is obscured, so positive identification is proving difficult. Elizabeth is a tad busy campaigning at the moment and though the group clearly chose to pose in front of the painting, I doubt she would remember anything about it, even if she had time to return my call to quiz her on this most pressing of matters. Pretty cool, though – until I hear otherwise, I’m going to assume this is one of the winter landscapes for which Dad is well known… If anyone has info to the contrary, please let me know!