S is for Shut Up and Write (in Paris)

 

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Glen – one of the writers at the Shut Up and Write Meet-up in Paris. His humourous book about all things academia is coming out later this year. Check out Glen’s blog.

 

I was trolling the internet in search of good cafés in which to write while in Paris (you would think there would be a lot of them around, but it seems that not all cafés appreciate broke writers hanging out for hours, sipping their café au laits veeeeeery slowly) when I stumbled across a MeetUp called ‘Shut Up and Write’ which takes place every Saturday at the Anticafé.

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The cozy seating area downstairs… photo brazenly stolen from the Anticafé website, but I’m thinking they won’t mind because I’m saying nice things about them…

I tossed my laptop in my backpack and, determined to battle my way through the latest round of revisions on the new Footprints title, I plotted my Metro route and set off. Three trains and a short walk later (I think I made the trip a bit harder than it needed to be), there I was, pulling up a chair. A dozen other writers had already gathered and were chatting away.

The Anticafé provides workspace (we were at tables and chairs rather than couch and coffee table shown in the photo), lots of plugs, and good wi-fi (pronounced ‘wiffy’). For the hourly rate of 5 Euros you also get as much coffee or tea as you can drink as well as assorted snacks. Attending as part of the writing group I received a discount – anyone who signs up for a loyalty card also gets a break on the hourly rate. You can also sign up for a monthly plan which might work out to be a great deal if you spent many hours and ate a lot while beavering away at your new novel.

The writing group plan was to write for about 40 minutes and then take a short break for snacking and chatting before doing another 40-minute writing session. Between 10 am and 1 pm, that’s pretty much how it went. Regulars confessed that things don’t always go quite according to plan – some days it’s hard to tear fingers from keys, apparently. Other days, the chatting overwhelms the working and things devolve into an orgy of good conversation.

Co-working spaces like this make a lot of sense for those of us who are part of the digital nomad community. (For more about digital nomads, check out rethink9to5 or the Digital Nomads Facebook page). When you’re traveling (and, face it, even when you are closer to home), writing can be a lonely endeavor. It’s marvelous to be able to walk into a coffee shop half way around the world (or halfway around the block) and find members of your tribe scribbling away in notebooks and tapping away at their keyboards.

I must say I had a great time, which is a bit unusual for someone who really doesn’t like the idea of walking into a room full of people I don’t know. That said, such a venue is the perfect place to try out this conversation starter: What are you working on?  Thanks to the organizers for putting the word out and helping us introverted writer types to connect! I’ll be baaaaaaack! (Though… I will be keeping a close eye on my belongings… particularly my camera… And, before anyone panics and thinks my camera was the victim of a snatching, it was an honest mistake… I mean, if I saw a cute camera lying about on a table, I might just pick it up and start taking photos. Stranger things have happened… right, André?)

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This post is part of the AtoZ Blogging Challenge. Visit the Facebook page and follow the links to participating blogs all over the world.

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Enjoy the blog? Consider becoming a patron to support the creation of these blog posts, photo essays, and short videos. In return, you’ll have my undying appreciation, but you’ll also get access to Patron-only content, advance peeks at works in progress, and more – all for as little as a buck a month! It’s easy – head on over to Patreon to have a look at how it all works.

 

 

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R is for Reading – in Paris

 

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Mecca for readers and writers alike – Shakespeare and Company in Paris

 

It always surprises me when students say they don’t like to read in a genre similar to their current work in progress. I’m the opposite. Writing a memoir about walking the Camino? Step one is to read every memoir I can get my hands on written by other people who have walked the Camino. Want to write a fantasy novel for kids? Now there’s an excellent excuse to immediately run out and procure an armload of fantasy novels for kids.

I don’t worry about accidentally stealing ideas – I have plenty of my own. I don’t worry about imitating someone else’s style – I try to find the widest possible range of voices and approaches when I’m reading. That pretty much eliminates any worry that I’ll find myself adopting another author’s writing style. Besides, by now I sure hope I have a style or voice I can call my own!

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When I read books and articles by other people I analyze them to death. It’s the only way I can think of to see what works and what doesn’t. Do I find myself completely engaged in one account of a Camino trip and utterly bored by another? Why? What makes some writing so compelling and other writing so meh? I enjoy it when an author’s personality shines through, especially if the writer has a sense of humour. I like lots of anecdotes mixed in with my doses of hard facts. But, I do like those facts to be there as well. Does the author use sidebars to pull out the factual bits or roll everything into some kind of overarching narrative? As I read, I hold my observations up against what I’m trying in my own writing. Then, when I’m writing, I try different techniques, modifying to suit my own story and what I’m trying to accomplish. In recent years, I’ve found I’ve started reading almost exclusively non-fiction, but the range of approaches to non-fiction is almost as broad as the range of subjects covered. On one hand, that’s very liberating – there is no ‘right’ way to come at a project. On the other hand, all those choices mean it can be pretty overwhelming to figure out what the best approach might be.

What about you? When you start a new writing project do you shy away from reading related material? Or do you seek it out and immerse yourself in the works of others who have explored similar paths before?

Q is for Query Letters

It’s been a while since I wrote a good old-fashioned query letter. But here I am in Paris and it seems a bit silly not to take advantage of my time here. I’ve been wanting to write a few more travel articles (it’s been a while since I last published any travel pieces) and what better place to find some inspiration than right here?

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I love graffiti and have seen quite a selection since our arrival. Plenty of people have been having fun with the zillions of political posters that are plastered everywhere… I like travel articles with unusual visual elements (so, for example, no Eiffel Tower shots, my last post notwithstanding…) so perhaps an article featuring some of the finest graffiti in Paris might be cool.

I’ve also seen some beautiful crumbling things…

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Maybe I should shoot a photo essay about Paris and her quiet corners, the places where her beauty is fading (aging gracefully, depending on one’s perspective).

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I’ve been doing a lot of people-watching from our apartment window… that’s a long and venerable tradition here. Perhaps a personal essay about why watching people is so utterly fascinating? I’ve started a list of ideas for articles. Query letters are on my to-do list for later this week. Stay tuned. I can only hope that the acceptance-to-rejection-ratio is a bit better than when I first began as a freelancer all those decades ago.

I’ve started a list of ideas for articles. Query letters are on my to-do list for later this week. Stay tuned. I can only hope that the acceptance-to-rejection-ratio is a bit better than when I first began as a freelancer all those decades ago. Earlier this year when I was going through all my papers as I prepared for my move to the mountains, I came across stacks of carefully saved query letters for publications all over the world. I was enthusiastic and optimistic as a youngster, that’s for sure! Right alongside my lists of potential markets for a gazillion stories, articles, and poems were stacks of rejection letters. Some were generic photocopied ‘thanks, but no thanks’ replies. Others had personal notes scribbled alongside the generic message (those were very encouraging, even when the editors were also saying, ‘thanks, but no thanks.’) In the mix were the occasional acceptance letters or requests for subjects slightly different to those I had suggested. Occasionally, there were even cheque stubs! Oh, how well I remember the sheer delight I felt when I first started receiving payment for my efforts! There are also clippings of early articles, but those are outnumbered perhaps 20:1 by the rejections. The odds were even worse for poetry but a bit better when it came to articles. Travel writing was somewhere in the middle.

 

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The staircase up to our flat in Paris. No elevator in this old building.

 

Things have changed, of course. One doesn’t need SASEs any more (many submissions are done online) and, of course, the creation of images has changed dramatically since the days when film (and film processing) was expensive and one thought long and hard about every shot one took. And then, of course, you had no idea whether the exposure was decent or the image sharp or, heaven forbid, something happened in the film processing and your entire set of precious photos were ruined. Not that things can’t go wrong in the digital age, but there are ways to mitigate loss through compulsively backing stuff up. And, of course, you can have a peek and immediately see whether or not you have captured something useable, which is all the more likely because for better or for worse, there really isn’t an upper limit on how many photos you can take.

 

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The railing outside my bedroom window.

 

The sun is coming out after a rainy morning here in Paris, so off I go to see what stories I might unearth!

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Enjoy the blog? Consider becoming a patron to support the creation of these blog posts, photo essays, and short videos. In return, you’ll have my undying appreciation, but you’ll also get access to Patron-only content, advance peeks at works in progress, and more – all for as little as a buck a month! It’s easy – head on over to Patreon to have a look at how it all works.

B is for the Beauty of Barf (AtoZChallenge)

With apologies to anyone emetophobic who may be reading
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There are some writers who agonize over their first drafts. As I understand it, their process goes something like this:
1. Write an opening clause
2. Reconsider
3. Rework the opening clause, add a comma and consider how to continue. For half an hour. Tentatively write the second part of the first sentence and realize that there was a much better way to write the first half.
4. Rework the first half of the sentence. Fiddle about with word choice for another 20 minutes. The chosen words seem ok, but the order isn’t quite right. Rearrange.
5. The first part of the sentence is sounding pretty good but now it doesn’t flow well into the second half.
6. Rewrite the second half.
7. Read both halves together and realize perhaps the opening would be stronger with two sentences.
8. Remove comma, period and capital letter.
9. Both sentences are now too short. The opening is definitely choppy.
10. Enhance both sentences. This takes up the better part of an hour.
11. At the end of all that (and a bit of final tweaking) the opening sounds pretty damned fine. It’s lunchtime but half a paragraph is better than none.
I imagine this meticulous ‘edit-as-you-go’ strategy is why some writers take a decade to get to the end of their first draft. For those who manage to stay the course and actually get to the end of anything by writing this way, wow. Hats off to you! (And please, if you are a writer who works this way, please leave a comment and share how on earth you motivate yourself to keep going and also, how do you cope when an editor makes a suggestion? Or, does this method work so well for you that no further rewriting is necessary?)

Farting Around As I Go is Not For Me

You don’t have to be a genius to figure out I don’t work this way.  I am firmly camped in the school of barf. Now there’s a sentence that might not get past a writer who insists on perfection at every step of the way. Mixed metaphors, images that make little sense, a spare adverb. A certain ‘huh? I think I get what she’s trying to say’ response quite likely to be elicited in the reader. Nevertheless, for the sake of this example, I will press on with this messy first draft and try to describe what my puking on the page process looks like.
1. Even though I’m not exactly sure what I want to say I start writing anyway. No outline. No list of key points. Today, there’s not much more than a vague idea that I want to a) use a keyword that starts with B and, b) write about something to do with writing.
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2. I write the letter b. Book comes to mind. Yep. That’s how bland things looked when I started out. Boring.
3. Stare out the window.
4. Make tea.
5. Stare at the word book on the screen.
6. Delete all but the b.
7. Realize this is so bad it’s making me want to puke. I don’t have forever to write this. Too bad puke doesn’t start with B. But Barf does! Beautiful!
8. I have a title! And from there, I just begin to spew – everything I can think of to do with heaving stuff onto the page with little regard for how it will all hang together.
9. One thought leads to another. I can’t write fast enough to keep up.
10. Stray words slip into the margin to remind me to come back and explore related thoughts later
11. I write without stopping for perhaps ten or fifteen minutes and the basic content of the post is there.
12. I take a moment to reread. Divide the post into two sections. Expand the bit where I imagine how a more meticulous first drafter might handle this challenge.
13. I take out the terrible vomit joke.
14. And that’s it. A sloppy, kinda stinky not quite right draft.
It’s only then that I sit back and reconsider. Sitting back and reconsidering is immediately part of the revise, rewrite, edit, chew over, regurgitate (to stay with my theme) part of the writing process. At this point, the barfing slows down unless I need to add a fresh chunk to the mix.
What’s the advantage to this method? I always have something to work with. I don’t tend to get stuck. I don’t limit my ideas. I allow my writing to be terrible. I don’t worry that the phrasing isn’t quite right or even if I’ve made my point. That all takes place after I have finished with my initial projectile blathering.
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I know that there will be lots and lots of time between spewing out that first draft and the day anyone (even my editor) will get to have a look. I’ll talk about the revision, rewriting process elsewhere (perhaps for the letter R), but what I do know about puking my ideas all over the page is that at least then I have a starting place.
It may be messy and inadequate and confused and incomplete, but it’s somewhere to begin. It’s like having a glorious damp lump of clay sitting on the table in front of me, all bulgy and misshapen. Somewhere inside that lump may be an elegant sculpture waiting for my tools to reveal its hidden form. That’s how the messy first draft feels. Like a voluminous blob of potential
What about you? Are you a spewer like me? Or someone who likes to coax each word, each phrase, each image into being in its most perfect form as you move from sentence to paragraph to chapter to book? Hey – waddya know? Book found its way into this blog post all on its own!
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This post is part of the A to Z Blogging Challenge in which bloggers from all over the world write a blog post every day in April. There are a LOT of other bloggers taking part. Visit the A to Z Challenge blog to see who is posting what each day.

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Enjoy the blog? Consider becoming a patron to support the creation of these blog posts, photo essays, and short videos. In return, you’ll have my undying appreciation, but you’ll also get access to Patron-only content, advance peeks at works in progress, and more – all for as little as a buck a month! It’s easy – head on over to Patreon to have a look at how it all works.