So. Much. Going. On.

Gads – where to even start??? How about with brownie mix?

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Do you have any idea how hard it is to photograph brownie mix and make it look delicious?
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This could be a mud pie… it isn’t, but it doesn’t exactly look appetizing. Hats off to food photographers who can make you drool just by looking at a photo…

Why brownie mix you may ask? Well, the forthcoming Christmas book includes recipes and craft activities, so we’ve been testing… Which might be a fine, fun thing to be doing if I wasn’t also trying to get organized to go away next week. At times like this, the kitchen shouldn’t really look like a bomb went off…

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This was actually after I had tidied up a bit… See the relevant manuscript pages on the counter?
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This is what the Brownie Mix in a Jar craft/recipe is supposed to look like. Note the snowmen? They are deconstructed seasonal earrings, destined to make a return appearance in the snow globe I’ll make after I run to the store to get glitter. Turns out it’s very hard to find small Christmassy items suitable for snow globe insertion when the retail cycle is currently hyping Halloween. I was sorely tempted to do a spider-themed snowglobe.

Meanwhile, over on the coast, Dani is going through thousands of family photos in search of suitable images to include in the book. We are both pretty excited about the book – another in the Orca Origins series – (what’s not to love about Christmas?), but also completely stressed as our respective planes are departing very, very soon… (according to my countdown clock, I will be taxiing down the runway in 6 days, 20 hours and 48 minutes).

So far, the recipes and crafts are working out fine – with the exception, perhaps, of the homemade tree decorations made from the strangest mix of applesauce, white glue, and cinnamon. They smell great and look like cookies (you cut the shapes out with cookie cutters) and one was very nearly eaten by a hungry family member as the gooey batch was drying on the counter! This is why we test recipes… I will be adding a warning that kids should make a sign warning people not to test the ornaments while they are drying, no matter how tasty they look!

patreon-logoEnjoy the blog? Consider becoming a patron to support the creation of these blog posts, photo essays, and short videos. In return, you’ll have my undying appreciation, but you’ll also get access to Patron-only content, advance peeks at works in progress, and more – all for as little as a buck a month! It’s easy – head on over to Patreon to have a look at how it all works.

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Packing – Next Steps Toward the Camino

I have never been a good packer. I wish I could put my hands on the photo of me in my late teens wearing bib overalls and sagging under the weight of my bright orange (very uncomfortable, rigid frame) backpack. Draped over the top was a very thick, voluminous wool poncho (it wouldn’t fit inside […]

via Packing Light as Light Can Be — darkcreekfarmdotcom

Camino tickets BOOKED!!!!!!

There is nothing quite like receiving that email confirming your flight is booked. In this case, the series of emails (Calgary to Paris via Montreal, Paris to Madrid and then various bits and pieces of the return trip plus information about trains within Spain) have triggered a crazy mix of wild excitement and sheer terror.

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Yep – making the final commitment to a big trip is both exhilarating and somewhat unnerving.  Photo by Ian Simmonds on Unsplash

Of course, I’m thrilled that this trip is coming together. Dani (30), Dad (beyond 80) and I (mid-50s) are collaborating on a pretty cool, intergenerational, multidisciplinary project. Spending time on the Camino de Santiago is amazing enough, but along the way, we will also be creating art – visual art (Dad) and writing (Dani, me), and photography (all of us). I’ll also be documenting our journey with video.

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Here’s an oil painting Dad did after his trip to Venice in 2015. I’m so excited to see what will come of our journey to Spain…

Where’s the sheer terror part of all this? Well, we are collaborating on two major projects. The first (not such a big surprise) is a book that will include artwork, photos, and writing (obviously). Then, there’s an exhibition featuring the artwork which will be mounted in conjunction with a series of talks by some combination of the three of us (depending on location and availability). No longer is this simply a stroll in Spain – now we are facing the pressure of making sure we create work that reflects what is turning out to be a rather more nuanced journey than any of us had first imagined. We’ve had conversations about the nature of art and living the creative life, spirituality for skeptics, mortality, and the relationship of people to the environment as discovered through the simple (ancient) act of walking. We’ve also swapped notes on sleeping bag liners, footwear, phone chargers, and wi-fi access. We all love Europe and history and art, so we are also just plain excited about being in a super cool place with other people who are also stoked about being part of a pilgrimage that’s been going on for hundreds and hundreds of years.

 

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What is it about old stuff in Europe that makes it so compelling? I snapped this photo on a tiny group tour of the Tour Saint Jacques in Paris earlier this year. Standing up there in the ancient bell tower desperately trying to follow the guide’s all-in-French commentary, I realized just how little I knew about the Camino, this history of the church, and the nature of pilgrimage. Confession time: before we began to think about going, I hadn’t realized that Saint Jacques in France is the same guy as Saint James in English and Saint Iago in Spanish. For pilgrims starting out in Paris, the Tour St. Jacques was likely a stop on the road to Spain.

 

For me, this is also a return to my writing roots – I started out writing newspaper and magazine articles, my favourites of which were inspired by personal experience. That said, for the last couple of decades most of my work has been for children and teenagers so, in some ways, this is my first book (a very, very strange position to be in). Anyone who has set out to write a first book knows just how stressful that can be… Ok, to be honest, every time I set out to write any book it’s stressful. But that’s the subject of another post so I won’t go there again.

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Photo by Andrew Neel on Unsplash

When do we leave? At the end of September (that’s next month!!!! Eeeeek!). The three of us are meeting up in Madrid, which is really where the journey will begin. We’ll be documenting the journey in various places – we all have Instagram accounts (@writergrrrl @from yyj_travel @colinwilliams5615) and blogs (this one plus darkcreekfarm.com/blog for me) as well as my Patreon account (if you become a supporter over there you’ll get access to some bonus material not published anywhere else). I’m also planning to do more over on medium.com – I like their Stories platform as a way to tell a long, linear tale using lots of images. So, sign-up, follow along and stay tuned – this is going to be a fun ride!

Signed copy of Deadpoint (Orca Sports)

I have a limited number of copies of my novel for teens about climbing on hand. Part of the Orca Sports series, the novel sets three kids against a mountain. Price includes shipping within North America and will be signed. Shoot me an email (or leave a comment) and I can personalize a copy for you. Perfect for the adventure-loving teen in your life! ** Please note that once we are on the trail, this offer will disappear because I will be in Spain!!! Yippee!! (for me, that is... not for you if you are hoping to snag a copy before I go).

$13.00

Pushing Forward on All Fronts

After three months of being a writer in Paris (oh, it was fun to just write that phrase!), I am back in the Rocky Mountains with a list of To-Do lists! Part of the problem with being a full-time working writer is that there are always projects in need of my attention. Here’s a quick snapshot of what’s on my desk at the moment…

  1. Final revisions are due for Christmas: From Solstice to Santa (a new title in the Orca Origins series, co-authored with Dani). Because I now live here:

    IMG_7194 Three sisters.jpgand Dani lives here:
    IMG_7543 vancouver island… it’s a little tricky to get together to work on projects. While there are plenty of things we can do at a distance (we have been collaborating for years on all sorts of projects), there are certain tasks that require a large table and spreading out of multiple drafts and sets of editorial comments. I’ll be on the coast at the end of July and we have marathon editing plans. If I sound less than thrilled at the prospect of going through this manuscript one more time, it’s because sometimes these late-in-the-game rewrites aren’t exactly a ton of fun. On the up side, we are writing about Christmas, so how un-jolly could we possibly be about that? Actually, now that I think about it, one of the things we need to do is some final recipe testing. At least we will be well fed during our labours.

  2. Board books for babies! That’s all I will say for now. Except for this… if you ever imagined that writing a book containing very few words for an audience that is more likely to chew on your book than read it is easy… think again. Dani and I have been sending draft manuscripts back and forth and back and forth and back and forth a shocking number of times in order to come up with something reasonable that we can send off to our editor. Stay tuned… more details to come as these titles get further along in their development.
  3. The Camino project! Oh, we are so excited about this one! We’ve been working on writing samples and putting together examples of Dad’s work and fleshing out a proposal as we get closer to setting off on the trip and as the book project becomes clearer in our minds. I think we are booking our airline tickets this week! I’ll be writing a blog post (probably over on the more general blog, but I’ll post a link here, too) about my first experience at an actual Camino site in France. Here’s a teaser image from that experience:

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    Any ideas where this was taken? Leave a comment below… 
  4. Final revisions and captions for Better Together: Creating Community in an Uncertain World are due this month. I’ve had a sneak peek at some early page layouts and this book is going to be GORGEOUS!!!!!!! I can’t wait to post a sample so you can see it, too. This was a really cool book to research as the scope was broad and the subject fascinating. From babies in prisons to leper colonies to the Red Cross and the International Space Station, it was a bit mind-boggling to look at the myriad ways in which people come together for good and how sometimes strong bonding within groups also lies at the heart of some of our most awful conflicts.

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    Doing a bit of research in Paris at Shakespeare and Co., a bookshop that has played a central role in the community of writers for decades… 
  5. Promoting the recent releases… This year has been a busy one with two new titles so far that and another one to come. Café Books here in Canmore hosted an author signing on the weekend. It was HOT but lots of fun to chat with passersby, tourists and locals alike.

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    Trying to stay in the shade during a roasty, toasty book signing event at Café Books in Canmore. My trusty helper, Allegra, did a great job handing out bookmarks and smiles. 
  6. Promoting new titles Part Two: I’m setting up a book giveaway on Goodreads. I’m having trouble posting the widget link… stay tuned as I figure that out (or, navigate over the Goodreads and search for Deadpoint). I don’t think this is live quite yet, but I’ll post an update here on the writing blog when you can go and put your name down for a copy.
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  7. General promo and doing things like looking after my patrons over on Patreon. You, too, could become a patron (if you aren’t already). I had just set this Patreon page up before we had our unexpected trip to Paris, so I haven’t been promoting the concept as much as I should have been. If you are interested in supporting the work of a writer (me) and earning some nifty rewards, click on the link and check it out. It’s easy and as cheap as you’d like to make it and makes a big difference to me.patreon-logoEnjoy the blog? Consider becoming a patron to support the creation of these blog posts, photo essays, and short videos. In return, you’ll have my undying appreciation, but you’ll also get access to Patron-only content, advance peeks at works in progress, and more – all for as little as a buck a month! It’s easy – head on over to Patreon to have a look at how it all works.
  8. Freelancing… Keep an eye out for Gripped Magazine – there just may be an article in there by me in an issue coming your way soon.
  9. Writing new stuff… I’m busy polishing some essays and articles on subjects like fear of falling, dementia, and being a writer in Paris in the teens (almost a hundred years after Hemingway was writing about being a writer in Paris in the twenties – it’s kind of a thing). Some of those pieces (mine, not Hemingway’s) were workshopped at the quite wonderful Lunchtime Writing Salons hosted by Hazel Manuel. Search for them at meetup.com if you happen to be in Paris and looking for feedback on a bit of writing. I attended several sessions and they were well worth it!

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    The view from Hazel’s place… Fine conversation, interesting writers, good food, occasionally wine… who could ask for more in a writing salon?
  10. The Writing School. Yes, I am still working on this project. If you are interested in signing up for an online writing course, take a minute to put your email address in the box and I’ll let you know when the first courses are available.

    That’s it for now, not because that’s actually all I have on the go but because the number 10 seems like such a logical place to stop. Happy reading and writing, everyone! Until next time…

 

Enemy of Creativity (AtoZChallenge)

“And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”
Sylvia Plath, The Unabridged Journals of Sylvia PlathO

Oh, Sylvia – thanks for saying it. Yes, self-confidence is a key ingredient in the creativity pie.

What does it mean to be creative, anyway? I’ve always thought of it as the ability to make something from nothing – to allow an idea or a thought to bubble up from that mysterious well from whence such bubbles rise and then… to do something with that thought or impulse.

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We all have ideas. Dreams. Thoughts. So what is the difference between someone who then goes on to make something with that raw material and someone who doesn’t? I agree with Sylvia Plath that self-confidence, or lack thereof, plays a big part in the expression of creative projects.

Self-doubt is crippling. The minute you begin to question whether the idea is good enough, whether you are going to be able to find a way to express that idea, whether it is worth playing with, exploring, developing – it’s pretty much game over that that point. The willingness to explore, to set off along hopeless paths, to experiment, to play, to fail – all that is part of the messy creative process. It takes a certain boldness to be willing to be wrong and being creative is a lot about being wrong. Perhaps wrong isn’t quite the write word. But it’s rare when exactly the right expression of an idea emerges fully formed and perfect. In my case, never. As a child, when I was making something or drawing or writing a story it never occurred to me that I wouldn’t come up with something if I just kept going. I created with little regard for how it would all turn out. Like most kids tend to do, I picked up a pencil or a pair scissors and started experimenting.

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Somewhere along the line, we learn that there are right ways and wrong ways to create – that one person’s drawing is better than another’s, that a story doesn’t mean the same thing to a reader that one thought it would. And when that door to failure opens, that’s when the doubts creep in. It’s easy to get so intimidated that we just stop trying.

I think that’s what happened to me with visual expression. As a kid I loved to draw, paint, make collages. I don’t know exactly when it happened, but at some point I concluded I could not draw. So, I stopped. For some equally mysterious reason, I decided I could write stories. Looking back, I don’t think I had a particular talent in one direction rather than the other. But what I did have is a complete lack of self-confidence on the visual arts front and a sense of confidence on the writing front. So, I wrote a lot of stories when I was a kid and never really stopped. When I read those stories now they are not particularly good. I’ve read far better stuff rich with real raw talent in some of the student submissions I am lucky enough to get to read now when I teach writing workshops. What I did have in spades was enthusiasm and the belief that my ideas were worth writing down.

I have no idea how many words I must have written before, finally, things started to improve and the creative impulse and dogged persistence merged to produce something worthy of publication. Lots (during my recent move I found hundreds of pages of dreadful drivel, some of which goes back to my earliest childhood scratchings).

These days, I still struggle to shape my sometimes wild ideas into a form that is readable. That process has not become  easier despite the number years I’ve been at it and the number of things I’ve wound up publishing. What has become easier is the belief that if I work at it long enough, rewrite often enough, keep at the shaping and molding and massaging of the article/story/book, eventually it will come together. That confidence in the process, the willingness to be patient is as important as any initial juicy idea or creative urge.

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Not that long ago I decided to see if this theory about having confidence and forging forward could also be applied to drawing. It’s been an interesting process, hushing the inner child who thought she couldn’t draw (since this is a series of posts about writing I won’t go into a lot of details here…). First, it is possible for someone as ancient as I am to have a change of heart about something I thought was a fact (my inability to draw). Turns out, patience and practice result in some surprisingly not dreadful outcomes. I’ve tried my hand at a few different exercises – from drawing cartoon faces to a few simple sketches to go along with my sailing course notes. No, I haven’t discovered my inner Michelangelo, but I am no longer scoffing at the idea of picking up a pencil or paintbrush and working to find ways to express creative ideas visually. It’s actually been kind of fun at least as much as it has been messy and frustrating.

What about you? How important is confidence in your creative process?

E atozchallenge

This post is part of the A to Z Blogging Challenge in which bloggers from all over the world write a blog post every day in April. There are a LOT of other bloggers taking part. Visit the A to Z Challenge blog to see who is posting what each day.

patreon-logo

Enjoy the blog? Consider becoming a patron to support the creation of these blog posts, photo essays, and short videos. In return, you’ll have my undying appreciation, but you’ll also get access to Patron-only content, advance peeks at works in progress, and more – all for as little as a buck a month! It’s easy – head on over to Patreon to have a look at how it all works.

 

D is for Deadlines (AtoZChallenge)

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“I love deadlines. I love the whooshing noise they make as they go by.”
Douglas Adams, The Salmon of Doubt

Ah, deadlines. Love ’em. Hate ’em. I’m great at tackling projects I know I can deal with fast. I get them over and done with waaaaaay ahead of time. Why wait?

It’s those ugly, complicated, bit-off-more-than-I-can-chew projects that bring out my inner procrastinator. And, yes, I do all those classic procrastinator things: brush the cat (I’m not joking, the cat never looked glossier than when I was struggling through draft 12 of Battle for Carnillo), clean the sink, go for a walk, check Facebook, lift some weights (I don’t like lifting weights), plan some cool vacation that there’s no way I could afford but is oh-so-much-fun to think about, and then maybe take apart and clean the lint trap in the dryer. You know, things that just can’t wait, unlike the BIG IMPORTANT project with that looming DEADLINE.

The problem is, those big, fat, messy projects tend to have decently long timelines. So, what harm could another lap around the dog park possibly do when I have practically forever to get this draft/rewrite/sequel done? Yes, sure, I pick at projects like this – open a web page or sixty, do some preliminary research. I jot a few notes, sort out the single sock drawer, and then go to bed early because it’s exhausting not doing what I’m supposed to be doing. A nap should perk me right up, right? Except, a long nap in the middle of the afternoon never works too well. By the time I wake up I feel like I’ve been rolled over by a drunk elephant and the day is almost gone and dinner needs to be made and after all that, the dishes and some emails, and Facebook – what has been going on in my virtual world all day?

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You get the picture. Of course, that deadline doesn’t just go away. It gets bigger. And uglier. And more intimidating. It starts waking me up at night. Nightmares revolve around missing trains. I wake up in a cold sweat after receiving an email saying Karen Rivers was awarded my contract because I could no longer speak English. Not that Karen Rivers would not be an eminently worthy inheritor of a contract, but man… the obsessions start to take over everything. I brush my teeth and think, I should be working. I gulp down a cup of tea. Should be working. I have a doctor’s appointment. No time. Must work.

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And as that deadline nears, some panic-induced blast of whatever brain chemical goes into overtime when it’s about to be slammed into a wall kicks in and I start writing. And nothing will stop me. My child falls over and cries. Too bad. Go see the neighbour.  Hungry? There’s a stale cracker stashed in the filing drawer somewhere. Add a bit of mustard and, voila – a meal. Not that I would get up and eat a meal anywhere other than at my desk. Such is my state of wild work ethic at this point I would be more likely to make the sick kid find something easy on AllRecipes.com and have her cook us both something vaguely nutritious.

The nightmares stop because at this point, of course, I am not sleeping. My family hates me. The cat looks like it has spent the past year living in a mud hole. The dog looks at me balefully, perhaps imagining those good old early days when we wandered aimlessly around the dog park.

That deadline, in the end, becomes the most amazing source of inspiration ever. Deadline not met? No incoming money. Ergo, no food. Simple equation. And that spurt of creative energy driven by sheer terror generally results in, yes, a Barfy First Draft. Or, a rewrite. Or, a new presentation. Or whatever.

I like to eat, which is why I rarely miss deadlines. How about you? Are you one of those super well-organized writers who is able to work steadily and calmly from start to finish on a project? Do writers like that actually exist? Do you zoom through and get done as fast as possible? Or, do you tend to put things off until you just can’t put them off any longer? Leave a comment and let us know how you REALLY feel about deadlines.

D atoz challenge

This post is part of the A to Z Blogging Challenge in which bloggers from all over the world write a blog post every day in April. There are a LOT of other bloggers taking part. Visit the A to Z Challenge blog to see who is posting what each day.

patreon-logo

Enjoy the blog? Consider becoming a patron to support the creation of these blog posts, photo essays, and short videos. In return, you’ll have my undying appreciation, but you’ll also get access to Patron-only content, advance peeks at works in progress, and more – all for as little as a buck a month! It’s easy – head on over to Patreon to have a look at how it all works.

B is for the Beauty of Barf (AtoZChallenge)

With apologies to anyone emetophobic who may be reading
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There are some writers who agonize over their first drafts. As I understand it, their process goes something like this:
1. Write an opening clause
2. Reconsider
3. Rework the opening clause, add a comma and consider how to continue. For half an hour. Tentatively write the second part of the first sentence and realize that there was a much better way to write the first half.
4. Rework the first half of the sentence. Fiddle about with word choice for another 20 minutes. The chosen words seem ok, but the order isn’t quite right. Rearrange.
5. The first part of the sentence is sounding pretty good but now it doesn’t flow well into the second half.
6. Rewrite the second half.
7. Read both halves together and realize perhaps the opening would be stronger with two sentences.
8. Remove comma, period and capital letter.
9. Both sentences are now too short. The opening is definitely choppy.
10. Enhance both sentences. This takes up the better part of an hour.
11. At the end of all that (and a bit of final tweaking) the opening sounds pretty damned fine. It’s lunchtime but half a paragraph is better than none.
I imagine this meticulous ‘edit-as-you-go’ strategy is why some writers take a decade to get to the end of their first draft. For those who manage to stay the course and actually get to the end of anything by writing this way, wow. Hats off to you! (And please, if you are a writer who works this way, please leave a comment and share how on earth you motivate yourself to keep going and also, how do you cope when an editor makes a suggestion? Or, does this method work so well for you that no further rewriting is necessary?)

Farting Around As I Go is Not For Me

You don’t have to be a genius to figure out I don’t work this way.  I am firmly camped in the school of barf. Now there’s a sentence that might not get past a writer who insists on perfection at every step of the way. Mixed metaphors, images that make little sense, a spare adverb. A certain ‘huh? I think I get what she’s trying to say’ response quite likely to be elicited in the reader. Nevertheless, for the sake of this example, I will press on with this messy first draft and try to describe what my puking on the page process looks like.
1. Even though I’m not exactly sure what I want to say I start writing anyway. No outline. No list of key points. Today, there’s not much more than a vague idea that I want to a) use a keyword that starts with B and, b) write about something to do with writing.
B AtoZ
2. I write the letter b. Book comes to mind. Yep. That’s how bland things looked when I started out. Boring.
3. Stare out the window.
4. Make tea.
5. Stare at the word book on the screen.
6. Delete all but the b.
7. Realize this is so bad it’s making me want to puke. I don’t have forever to write this. Too bad puke doesn’t start with B. But Barf does! Beautiful!
8. I have a title! And from there, I just begin to spew – everything I can think of to do with heaving stuff onto the page with little regard for how it will all hang together.
9. One thought leads to another. I can’t write fast enough to keep up.
10. Stray words slip into the margin to remind me to come back and explore related thoughts later
11. I write without stopping for perhaps ten or fifteen minutes and the basic content of the post is there.
12. I take a moment to reread. Divide the post into two sections. Expand the bit where I imagine how a more meticulous first drafter might handle this challenge.
13. I take out the terrible vomit joke.
14. And that’s it. A sloppy, kinda stinky not quite right draft.
It’s only then that I sit back and reconsider. Sitting back and reconsidering is immediately part of the revise, rewrite, edit, chew over, regurgitate (to stay with my theme) part of the writing process. At this point, the barfing slows down unless I need to add a fresh chunk to the mix.
What’s the advantage to this method? I always have something to work with. I don’t tend to get stuck. I don’t limit my ideas. I allow my writing to be terrible. I don’t worry that the phrasing isn’t quite right or even if I’ve made my point. That all takes place after I have finished with my initial projectile blathering.
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I know that there will be lots and lots of time between spewing out that first draft and the day anyone (even my editor) will get to have a look. I’ll talk about the revision, rewriting process elsewhere (perhaps for the letter R), but what I do know about puking my ideas all over the page is that at least then I have a starting place.
It may be messy and inadequate and confused and incomplete, but it’s somewhere to begin. It’s like having a glorious damp lump of clay sitting on the table in front of me, all bulgy and misshapen. Somewhere inside that lump may be an elegant sculpture waiting for my tools to reveal its hidden form. That’s how the messy first draft feels. Like a voluminous blob of potential
What about you? Are you a spewer like me? Or someone who likes to coax each word, each phrase, each image into being in its most perfect form as you move from sentence to paragraph to chapter to book? Hey – waddya know? Book found its way into this blog post all on its own!
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This post is part of the A to Z Blogging Challenge in which bloggers from all over the world write a blog post every day in April. There are a LOT of other bloggers taking part. Visit the A to Z Challenge blog to see who is posting what each day.

patreon-logo

Enjoy the blog? Consider becoming a patron to support the creation of these blog posts, photo essays, and short videos. In return, you’ll have my undying appreciation, but you’ll also get access to Patron-only content, advance peeks at works in progress, and more – all for as little as a buck a month! It’s easy – head on over to Patreon to have a look at how it all works.